From the 19th of September until the 10th of October, GAP team holds a series of workshop sessions, focused on developing various methodologies and understanding …
Short synthesis by Marius-Alexandru Dan, provided in 2020 in the frame of the project Housing, social mobilisations and urban governance in Central and Eastern Europe, …
Dinu Gutu A couple of months ago, Sleaford Mods front man Jason Williamson announced he was no longer allowed to vote in the UK Labor …
Interview with David Schwartz Independent Moldova. Erratum By: Ion Borș, David Schwartz, Dumitru Stegărescu, Doriana Talmazan, Irina Vacarciuc Production: Teatrul-Spălătorie in Kishinev, Moldova The performance …
On March 24th, 2017, on a Friday night, I was talking to my comrade and we both got angry at the anti-abortion rally which had …
(Română) Sperăm că refuzul nostru va atrage atenția organizatorilor și a publicului larg asupra urgenței de a expune adevăratele și cele mai urgente probleme ale locuirii din România.
On March 24th, 2017, on a Friday night, I was talking to my comrade and we both got angry at the anti-abortion rally which had been authorized by the City Hall, and was to take place the next day, at noon. It’s the first time that the Orthodox Romanian Church (ORC or BOR – the Romanian acronym – as it will be called from now on in this text) itself takes the official initiative to organize an anti-abortion march. Not Provita, not some other “pro life” NGO, but BOR itself, as an institution. This happens right after the Coalition for …
Dinu Gutu A couple of months ago, Sleaford Mods front man Jason Williamson announced he was no longer allowed to vote in the UK Labor leadership election, after he called Dan Jarvis, one of the candidates for Parliament, a “posing cunt” in a public post. Williamson sings about the condition of the working classes and social inequality in England. He joined Labor to support Jeremy Corbyn. He remained involved in politics from the stage and not from any party. This is why I chose to write from a political perspective about the Sleaford Mods’ latest album, Key Markets. The recipe …
Ioseph Cotnăreanu I have had a lot of different domiciles because my father had this habit of not paying the rent. At a very young age I moved from Delea Veche street, where I was born, on the Elisabeta boulevard. […] The first house I remember is the one on Nicușor street [Bucharest ed.n.] in which we lived when I was around six – six and a half. It was a house with a ground floor and an upper floor with a slightly sloping roof. There must have been three if not four rooms; I know that we had one …
Pompiliu Sterian Throughout my life, there were 15 different addresses where I lived, most of them before the war [WW II, trans. note]. I was always a tenant. I always lived in two rooms with my family. Only once we lived in a three room flat and we sublet the third room in order to manage paying the rent. We lived in a basemen apartment, in the attic, in shared flats. Back then, there was an unwritten rule: people used to move out and change tenancy in late April and late October [probably due to the fact that some families …
by Mihaela MICHAILOV Each time I write an article dedicated to the theatre for children and teenagers, I inevitably ask myself a few questions: whose is the theatre addressing the youths? does it take into consideration the structural changes of childhood? does it know its children and teens? how aware is this theatre of the fundamental role it could take in forming the children and teens, in the spirit of attachment to emancipatory, liberating stories? how eager is this theatre to diversify the children’s experiential horizon, to deconstruct the stereotypes they borrow, to show them the possibility of change they …
