{"id":773,"date":"2024-09-20T08:25:45","date_gmt":"2024-09-20T08:25:45","guid":{"rendered":"https:\/\/artapolitica.ro\/teatru\/?page_id=773"},"modified":"2024-11-10T18:40:28","modified_gmt":"2024-11-10T18:40:28","slug":"dupa-traian-si-decebal","status":"publish","type":"page","link":"https:\/\/artapolitica.ro\/teatru\/dupa-traian-si-decebal\/","title":{"rendered":"DUP\u0102 TRAIAN \u0218I DECEBAL"},"content":{"rendered":"\n<p class=\"has-small-font-size wp-block-paragraph\">___________________________________________________________________________________<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>DUP\u0102 TRAIAN \u0218I DECEBAL (Din filele istoriei gay \u00een Rom\u00e2nia)&nbsp;<\/strong><\/p>\n\n\n\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-4fc3f8e1 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-4fc3f8e1 wp-block-group-is-layout-flex\">\n<p class=\"has-small-font-size wp-block-paragraph\">Premiera: iunie 2012, Salonul de Proiecte, Bucure\u0219ti<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Concept performativ: Mihaela Michailov \u0219i Paul Dunca\/Paula Dunker&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Cu: Paul Dunca\/Paula Dunker \u0219i Mihaela Michailov \/ Katia Pascariu&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Set &amp; design: Andrei Dinu<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Consilier: Florin Buhuceanu<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">___________________________________________________________________________________<\/p>\n<\/div>\n<\/div>\n\n\n<div class=\"wp-block-visual-portfolio\">\n<div class=\"vp-portfolio vp-uid-42d9fb57 vp-id-Z1XSkuK\"\n\tdata-vp-layout=\"slider\" data-vp-content-source=\"images\" data-vp-items-style=\"default\" 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height=\"1280\" data-skip-lazy src=\"https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Roland-Vaczi2-1920x1280.jpg\" class=\"wp-image-1818\" alt=\"\" srcset=\"https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Roland-Vaczi2-1920x1280.jpg 1920w, https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Roland-Vaczi2-300x200.jpg 300w, https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Roland-Vaczi2-1024x683.jpg 1024w, https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Roland-Vaczi2-768x512.jpg 768w, https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Roland-Vaczi2-1536x1024.jpg 1536w, https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Roland-Vaczi2-500x333.jpg 500w, https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Roland-Vaczi2-800x533.jpg 800w, https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Roland-Vaczi2-1280x853.jpg 1280w, 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https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Roland-Vaczi2-1024x683.jpg 1024w, https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Roland-Vaczi2-768x512.jpg 768w, https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Roland-Vaczi2-1536x1024.jpg 1536w, https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Roland-Vaczi2-500x333.jpg 500w, https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Roland-Vaczi2-800x533.jpg 800w, https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Roland-Vaczi2-1280x853.jpg 1280w, https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Roland-Vaczi2-1200x800.jpg 1200w, https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Roland-Vaczi2.jpg 2048w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<div class=\"vp-portfolio__item-overlay\">\n\t\t\t\t\t<\/div>\n\n\t\t<\/a>\t<\/div>\n<\/div>\n\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n<\/div>\n\n<div class=\"vp-portfolio__items-arrow vp-portfolio__items-arrow-prev\" tabindex=\"0\" role=\"button\" aria-label=\"Previous Slide\">\n\t\n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t<path d=\"M12 4L6 10L12 16\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n<\/div>\n<div class=\"vp-portfolio__items-arrow vp-portfolio__items-arrow-next\" tabindex=\"0\" role=\"button\" aria-label=\"Next Slide\">\n\t\n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t<path d=\"M8 4L14 10L8 16\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n<\/div>\n\n<div class=\"vp-portfolio__items-bullets\"><\/div>\n\t\t<\/div>\n\t\t\n<\/div>\n<\/div>\n\n\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-4fc3f8e1 wp-block-group-is-layout-flex\">\n<p class=\"has-small-font-size wp-block-paragraph\">___________________________________________________________________________________<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Cum \u201ese tr\u0103ia gay\u201d \u00eenainte de 1989 \u00een Rom\u00e2nia? Care erau ritualurile de socializare \u0219i structurile de&nbsp; oprimare? Care erau efectele articolului 200 care pedepsea, cu \u00eenchisoarea de la 1 la 5 ani, rela\u021biile sexuale \u00eentre persoanele de acela\u0219i sex? Cum au continuat abuzurile \u00eempotriva dreptului la&nbsp; reprezentarea identit\u0103\u021bii dup\u0103 1989?&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><em>Dup\u0103 Traian \u0219i Decebal. (Din filele istoriei gay \u00een Rom\u00e2nia) <\/em>este arhiva nara\u021biunilor private care&nbsp; definesc un sistem politic ce marca limitele, fric\u021biunile \u0219i constr\u00e2ngerile existen\u021bei de apartament.&nbsp; Este performarea coliziunii vie\u021bii intime cu norme legislative abuzive. Este istoria oral\u0103, din buc\u0103\u021bi&nbsp; de amintiri, a martorilor expu\u0219i la controlul vie\u021bii de zi cu zi (\u00eenainte \u0219i dup\u0103 1989). Paradoxurile&nbsp; invizibilit\u0103\u021bii au func\u021bionat perfect. De\u0219i era interzis, a existat o via\u021b\u0103 gay \u00een Rom\u00e2nia.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Textul a fost scris \u00een 2012, \u00een urma unei document\u0103ri bazate pe interviuri, pe consultarea unor materiale video din arhiva ACCEPT \u0219i a unor materiale din Arhivele Na\u021bionale Centrale. De&nbsp; asemenea, \u00een text au fost folosite c\u00e2teva extrase din cartea <em>Homoistorii: ie\u0219irea din invizibilitate<\/em>, de Florin Buhuceanu.&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Performance-ul a fost prezentat la Bucure\u0219ti \u00een cadrul Festivalului Explore Dance Festival, la WASP&nbsp; \u00een 2012, \u00een cadrul proiectului <em>Caravana CRIM de Teatru Contemporan<\/em>, la \u0218coala Na\u021bional\u0103 de Studii Politice \u0219i Administrative 2013, \u00een cadrul <em>Stagiunii de Teatru Politic 2013; <\/em>\u00een cadrul&nbsp; Festivalului <em>Luna Istoriei LGBT<\/em>, 2013, \u00een <em>Stagiunea TIR \u2013 Teatrul Istoriilor Recente, 2014<\/em>; la Fabrica de Pensule, Cluj (\u00een cadrul proiectului <em>Linia de Produc\u021bie<\/em>, 2014), \u00een <em>Platforma de Teatru Politic 2015<\/em>, <em>Stagiunea de Teatru Politic 2016, Arta de rezisten\u021b\u0103 2017, <\/em>la <em>Reactor <\/em>(Cluj Napoca)<em> <\/em>2018<em>, <\/em>la Teatrul Na\u021bional Marin Sorescu, Craiova (2019<em>), <\/em>\u00een <em>Teatru de Risc. Scenarii hibride pentru&nbsp; realit\u0103\u021bi imediate <\/em>(ini\u021biat de Asocia\u021bia ADO, \u00een parteneriat cu Centrul de Teatru Educa\u021bional&nbsp; Replika) 2021. Textul spectacolului&nbsp; a fost publicat \u00een limba rom\u00e2n\u0103 \u00een volumul <em>Teatru politic 2009-2017<\/em> (ed. Mihaela Michailov \u0219i David Schwartz, Editura TACT, Cluj, 2017).<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">___________________________________________________________________________________<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>CRONICI<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Oana Stoica, <\/strong><strong><em>Una dintre celelalte istorii<\/em><\/strong><strong>, Dilema Veche, nr. 473 din 7-13 martie 2013<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">\u201eDup\u0103 Traian \u015fi Decebal (Din Filele Istoriei Gay \u00een Rom\u00e2nia) reprezint\u0103 o formul\u0103 de identitate performativ\u0103 care func\u0163ioneaz\u0103 ca furnizor de informa\u0163ie \u015fi generator de dezbatere. Spectacolul se joac\u0103 acolo unde g\u0103se\u015fte un spa\u0163iu, dar locul lui e peste tot, chiar \u015fi (sau mai ales) \u00een \u015fcoal\u0103. Ca o completare necesar\u0103 la istoria din manual.\u201d<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><a href=\"https:\/\/dilemaveche.ro\/sectiune\/la-zi-in-cultura\/arte-performative\/una-dintre-celelalte-istorii-600581.html\">https:\/\/dilemaveche.ro\/sectiune\/la-zi-in-cultura\/arte-performative\/una-dintre-celelalte-istorii-600581.html<\/a><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Paul Dunca<\/strong>,<strong><em> Dup\u0103 Traian \u015fi Decebal (Din Filele Istoriei Gay \u00een Rom\u00e2nia)<\/em><\/strong>, <strong>Vice<\/strong>, <strong>13 noiembrie 2012<\/strong>&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">\u201eInterviurile din continuarea piesei, ca material documentar, mi-au p\u0103rut a avea amestecul ideal de momente triste \u015fi vesele \u00eenc\u00e2t prin ele s\u0103 transpar\u0103 umanul \u015fi s\u0103 fie emo\u0163ionante. Mai mult, contextualizate de prezentarea momentelor istorice reu\u015fesc s\u0103 redea foarte bine contururile realit\u0103\u0163ii unei epoci \u00een care era ilegal s\u0103 fii homosexual. Am remarcat \u015fi prezen\u0163a unui singur personaj feminin. Ulterior am aflat c\u0103 a fost foarte dificil\u0103 contactarea unor persoane lgbt de sex feminin care au tr\u0103it \u00een comunism.\u201d<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><a href=\"https:\/\/www.vice.com\/ro\/article\/dupa-traian-si-decebal-din-filele-istoriei-gay-in-romania\/\">https:\/\/www.vice.com\/ro\/article\/dupa-traian-si-decebal-din-filele-istoriei-gay-in-romania\/<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>___________________________________________________________________________________ DUP\u0102 TRAIAN \u0218I DECEBAL (Din filele istoriei gay \u00een Rom\u00e2nia)&nbsp; Premiera: iunie 2012, Salonul de Proiecte, Bucure\u0219ti Concept performativ: Mihaela Michailov \u0219i Paul Dunca\/Paula Dunker&nbsp; Cu: Paul Dunca\/Paula Dunker &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/artapolitica.ro\/teatru\/dupa-traian-si-decebal\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;DUP\u0102 TRAIAN \u0218I DECEBAL&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":1815,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"class_list":["post-773","page","type-page","status-publish","has-post-thumbnail","hentry"],"uagb_featured_image_src":{"full":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Bogdan-Botas-8404.jpg",2000,1333,false],"thumbnail":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Bogdan-Botas-8404-150x150.jpg",150,150,true],"medium":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Bogdan-Botas-8404-300x200.jpg",300,200,true],"medium_large":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Bogdan-Botas-8404-768x512.jpg",760,507,true],"large":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Bogdan-Botas-8404-1024x682.jpg",760,506,true],"1536x1536":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Bogdan-Botas-8404-1536x1024.jpg",1536,1024,true],"2048x2048":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Bogdan-Botas-8404.jpg",2000,1333,false],"ect-jetpack-portfolio-featured":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Bogdan-Botas-8404-640x640.jpg",640,640,true],"ect-featured-content":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Bogdan-Botas-8404-640x640.jpg",640,640,true],"ect-service":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Bogdan-Botas-8404-640x640.jpg",640,640,true],"vp_sm":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Bogdan-Botas-8404-500x333.jpg",500,333,true],"vp_md":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Bogdan-Botas-8404-800x533.jpg",800,533,true],"vp_lg":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Bogdan-Botas-8404-1280x853.jpg",1280,853,true],"vp_xl":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Bogdan-Botas-8404-1920x1280.jpg",1920,1280,true],"vp_sm_popup":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Bogdan-Botas-8404-500x333.jpg",500,333,true],"vp_md_popup":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Bogdan-Botas-8404-800x533.jpg",800,533,true],"vp_xl_popup":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Bogdan-Botas-8404-1920x1280.jpg",1920,1280,true],"block-featured-large":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Bogdan-Botas-8404.jpg",2000,1333,false],"block-featured-medium":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Bogdan-Botas-8404-1200x800.jpg",1200,800,true],"block-featured-small":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Bogdan-Botas-8404-640x640.jpg",640,640,true],"block-featured-square":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Bogdan-Botas-8404-1200x1200.jpg",1200,1200,true],"jetpack-portfolio-admin-thumb":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Bogdan-Botas-8404-50x50.jpg",50,50,true],"featured-content-admin-thumb":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Bogdan-Botas-8404-50x50.jpg",50,50,true],"service-admin-thumb":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/10\/Bogdan-Botas-8404-50x50.jpg",50,50,true]},"uagb_author_info":{"display_name":false,"author_link":"https:\/\/artapolitica.ro\/teatru\/author\/admin\/"},"uagb_comment_info":0,"uagb_excerpt":"___________________________________________________________________________________ DUP\u0102 TRAIAN \u0218I DECEBAL (Din filele istoriei gay \u00een Rom\u00e2nia)&nbsp; Premiera: iunie 2012, Salonul de Proiecte, Bucure\u0219ti Concept performativ: Mihaela Michailov \u0219i Paul Dunca\/Paula Dunker&nbsp; Cu: Paul Dunca\/Paula Dunker &hellip; Continue reading \"DUP\u0102 TRAIAN \u0218I DECEBAL\"","_links":{"self":[{"href":"https:\/\/artapolitica.ro\/teatru\/wp-json\/wp\/v2\/pages\/773","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artapolitica.ro\/teatru\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/artapolitica.ro\/teatru\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/artapolitica.ro\/teatru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artapolitica.ro\/teatru\/wp-json\/wp\/v2\/comments?post=773"}],"version-history":[{"count":5,"href":"https:\/\/artapolitica.ro\/teatru\/wp-json\/wp\/v2\/pages\/773\/revisions"}],"predecessor-version":[{"id":2373,"href":"https:\/\/artapolitica.ro\/teatru\/wp-json\/wp\/v2\/pages\/773\/revisions\/2373"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artapolitica.ro\/teatru\/wp-json\/wp\/v2\/media\/1815"}],"wp:attachment":[{"href":"https:\/\/artapolitica.ro\/teatru\/wp-json\/wp\/v2\/media?parent=773"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}