{"id":689,"date":"2024-09-18T07:29:21","date_gmt":"2024-09-18T07:29:21","guid":{"rendered":"https:\/\/artapolitica.ro\/teatru\/?page_id=689"},"modified":"2024-11-10T17:24:05","modified_gmt":"2024-11-10T17:24:05","slug":"oameni-si-arme","status":"publish","type":"page","link":"https:\/\/artapolitica.ro\/teatru\/oameni-si-arme\/","title":{"rendered":"Oameni \u0218I ARME"},"content":{"rendered":"\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-4fc3f8e1 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-4fc3f8e1 wp-block-group-is-layout-flex\">\n<p class=\"has-small-font-size wp-block-paragraph\">___________________________________________________________________________________<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Premiera: 28 septembrie 2023, REACTOR de Crea\u021bie \u0219i Experiment, Cluj&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Cu: Alexandra Harapu, Maria Morar, Oana Rotaru, Doru Talo\u0219, Tavi Voina&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Scenografia: Mihai P\u0103curar&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Direc\u021bie coregrafic\u0103: Paula Dunker&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Muzica: Alexandru Condurat&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Coordonare muzical\u0103: Adonis Tan\u021ba&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Coordonare documentare: Tavi Voina&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Colaborare documentare: Katia Pascariu&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Coordonare proiect: Andrada Ro\u0219u&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Asisten\u021b\u0103 regie: Teodora Minea&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Scenariul \u0219i regia: David Schwartz<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Coproduc\u021bie: Platforma de Teatru Politic \u0219i Reactor de crea\u021bie \u0219i experiment&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Ideea spectacolului a&nbsp; fost dezvoltat\u0103 \u00een cadrul atelierului DocLab, organizat de Beykoz Kundura (Istanbul, 2023)<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Proiect co-finan\u021bat de Administra\u021bia Fondului Cultural Na\u021bional \u0219i de UNITER<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">___________________________________________________________________________________<\/p>\n<\/div>\n<\/div>\n\n\n<div class=\"wp-block-visual-portfolio\">\n<div class=\"vp-portfolio vp-uid-42d9fb57 vp-id-Z1XSkuK\"\n\tdata-vp-layout=\"slider\" data-vp-content-source=\"images\" data-vp-items-style=\"default\" 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https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/PB020118-1200x800.jpg 1200w\" data-sizes=\"auto\" loading=\"eager\">\n\t\t<div class=\"vp-portfolio__item-overlay\">\n\t\t\t\t\t<\/div>\n\n\t\t<\/a>\t<\/div>\n<\/div>\n\n\t\t\t<\/figure>\n\t\t\t\t\t<\/div>\n\t\t\n<\/div>\n\n<div class=\"vp-portfolio__items-arrow vp-portfolio__items-arrow-prev\" tabindex=\"0\" role=\"button\" aria-label=\"Previous Slide\">\n\t\n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t<path d=\"M12 4L6 10L12 16\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n<\/div>\n<div class=\"vp-portfolio__items-arrow vp-portfolio__items-arrow-next\" tabindex=\"0\" role=\"button\" aria-label=\"Next Slide\">\n\t\n<svg class=\"vp-svg-icon\" width=\"20\" height=\"20\" viewBox=\"0 0 20 20\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n\t<path d=\"M8 4L14 10L8 16\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\" fill=\"transparent\" \/>\n<\/svg>\n<\/div>\n\n<div class=\"vp-portfolio__items-bullets\"><\/div>\n\t\t<\/div>\n\t\t\n<\/div>\n<\/div>\n\n\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-4fc3f8e1 wp-block-group-is-layout-flex\">\n<p class=\"has-small-font-size wp-block-paragraph\">___________________________________________________________________________________<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Cum se fabric\u0103 o arm\u0103? Care sunt condi\u021biile de munc\u0103, avantajele \u0219i pericolele muncii \u00eentr-o fabric\u0103&nbsp; de arme? C\u00e2t de bine se tr\u0103ia din produc\u021bia de arme \u00eenainte de 1989 \u0219i cum se tr\u0103ie\u0219te ast\u0103zi? \u00cen ce fel integreaz\u0103 persoanele care fabric\u0103 armament contradic\u021biile inerente acestui proces, \u00een&nbsp; proximitatea r\u0103zboiului \u0219i \u00een plin\u0103 criz\u0103 economic\u0103? La Cugir, ora\u0219 de 20 de mii de locuitori din Transilvania, func\u021bioneaz\u0103 \u00eenc\u0103 din 1928 cea mai mare&nbsp; fabric\u0103 de armament din Rom\u00e2nia. Cel mai important angajator din ora\u0219, fabric\u0103 de\u021binut\u0103 de stat,&nbsp; care \u00een perioada socialist\u0103 a exportat mitraliere Kala\u0219nikov \u00een spa\u021biul est-european \u0219i \u00een \u021b\u0103rile&nbsp; nealiniate, iar \u00een prezent produce armament pentru parteneri occidentali. \u00cen ultimii ani, au avut loc&nbsp; la Cugir mai multe accidente de munc\u0103, unele mortale, \u0219i un protest sus\u021binut \u00eempotriva salariilor&nbsp; mici, condi\u021biilor grele de lucru \u0219i tehnologiei \u00eenvechite. Pe parcursul anului 2023, echipa proiectului a cercetat istoria recent\u0103 a fabricii, prin interviuri,&nbsp; discu\u021bii informale \u0219i ateliere cu muncitoare \u0219i muncitori, at\u00e2t activi c\u00e2t \u0219i pensiona\u021bi. Pove\u0219tile \u0219i experien\u021bele descoperite sunt fic\u021bionalizate \u00eentr-un spectacol de brigad\u0103 artistic\u0103, ce combin\u0103&nbsp; trecutul \u0219i prezentul, documente \u0219i specula\u021bii, date obiective \u0219i opinii subiective, amintiri personale, c\u00e2ntece, poezie \u0219i momente coregrafice.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Spectacolul se joac\u0103, \u00eencep\u00e2nd din 2023, \u00een Cluj la REACTOR \u0219i la Facultatea de Teatru \u0219i Televiziune &#8211; UBB; \u0219i \u00een turneu la Bucure\u0219ti (Centrul de Teatru Educa\u021bional Replika), Cugir (Centrul Cultural), Alba-Iulia, Baia de Arie\u0219, Sebe\u0219 \u0219i Zal\u0103u. A fost invitat la Festivalul de Teatru T\u00e2n\u0103r de la Sibiu (2023).<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">___________________________________________________________________________________<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>CRONICI<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Aura Poenar, <\/strong><strong><em>Oameni \u0219i arme: de la Harun Farocki la David Schwartz sau despre func\u021bia social\u0103 a teatrului<\/em><\/strong><strong>, Revista Scena.ro, 23 aprilie 2024&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">\u201eDialogul cu arhiva, nu doar istoric documentar\u0103 \u0219i cultural\u0103, dar \u0219i a industriei de divertisment, a creat \u00een aceast\u0103 pies\u0103 un spa\u021biu de posibilit\u0103\u021bi unde nara\u021biunile colective au devenit un prilej de reflec\u021bie asupra realit\u0103\u021bii. Momentele de brigad\u0103 artistic\u0103 au \u00eembinat referin\u021be performative \u0219i picturale prin articul\u0103ri cu formele teatrului, dar \u0219i cu formule cli\u0219eizate ale culturii populare sau mediatice, forme literare sau tableaux vivants \u00een care cei cinci actori \u00eencremenesc \u00een posturi care evoc\u0103 dansul (<em>La danse<\/em>) lui Matisse sau arta realismului socialist, amintindu-ne c\u0103 istoria teatrului nu este doar o memorie a trecutului, ci \u0219i un rezervor al noului, o memorie mereu activ\u0103 a practicilor \u0219i a formelor \u00een rela\u021bie cu experien\u021bele tr\u0103ite.\u201d<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><a href=\"https:\/\/revistascena.ro\/arte\/oameni-si-arme-de-la-harun-farocki-la-david-schwartz-sau-despre-functia-sociala-a-teatrului\">https:\/\/revistascena.ro\/arte\/oameni-si-arme-de-la-harun-farocki-la-david-schwartz-sau-despre-functia-sociala-a-teatrului<\/a><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Ioan Stoleru, <\/strong><strong><em>Oameni \u0219i arme: via\u021ba \u0219i moartea fabricii de arme din Cugir \u0219i istoria celor care-au muncit acolo<\/em><\/strong><strong>, scena9.ro, 7 februarie 2024<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">\u201e\u00cen momentul \u00een care Nina pronun\u021b\u0103 cuv\u00e2ntul \u201epulbere\u201d, celelalte patru personaje se schimb\u0103 la fa\u021b\u0103 \u0219i o \u00eendeamn\u0103 s\u0103 tac\u0103. Apoi, actorii sparg al patrulea perete pentru a stabili o conven\u021bie cu publicul: ce cuv\u00e2nt s\u0103 folosim de aici mai departe pentru a face referire la arme \u0219i muni\u021bie? &lt;Portocale&gt;, decide publicul.\u201d<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><a href=\"https:\/\/www.scena9.ro\/article\/oameni-si-arme-fabrica-arme-cugir\">https:\/\/www.scena9.ro\/article\/oameni-si-arme-fabrica-arme-cugir<\/a><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Roxana \u021aentea, <\/strong><strong><em>P\u00e2ine vie, p\u00e2ine moart\u0103<\/em><\/strong><strong>, Revista Steaua, nr.2\/2024<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">\u201eSpectacolul realizeaz\u0103 o radiografie \u00een timp a industriei, a ora\u0219ului industrial, a patrimoniului industrial \u0219i chiar a clasei sociale care a cl\u0103dit, muncit \u0219i pierdut sau este \u00een pericol de a pierde fabrica \u0219i locul de munc\u0103. Povestea fabricii \u0219i a muncitorilor s\u0103i se coase de-a lungul experien\u021belor unor genera\u021bii \u00eentregi care pleac\u0103 din mediul rural, deveni\u021bi proletari \u0219i muncitori ai \u00eentreprinderii. \u201d<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><a href=\"https:\/\/revisteaua.ro\/paine-vie-paine-moarta\/\">https:\/\/revisteaua.ro\/paine-vie-paine-moarta\/<\/a><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Iulia Popovici, <\/strong><strong><em>Arme, oameni, supravie\u021burie<\/em><\/strong><strong>, Observator Cultural, 22 decembrie 2023<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">\u201eO alt\u0103 conven\u021bie e cea care condi\u021bioneaz\u0103 durata spectacolului de cea a coacerii (\u00een timp real a) unei p\u00eeini \u2013 \u00een forma reciclat\u0103 a unei mitraliere, conduc\u00eend \u00een mod declarat mesajul c\u0103tre un pacifism asumat \u0219i marc\u00eend condi\u021bia simpl\u0103, p\u00een\u0103 la urm\u0103, a angaja\u021bilor fabricii de armament: muncitori ale c\u0103ror m\u00eeini pot produce, \u00een acela\u0219i timp, instrumente ale mor\u021bii ori hran\u0103 vital\u0103.\u201d<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><a href=\"https:\/\/www.observatorcultural.ro\/articol\/arme-oameni-supravietuire\/\">https:\/\/www.observatorcultural.ro\/articol\/arme-oameni-supravietuire\/<\/a><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Cristina Samdea,<\/strong><strong><em> Un spectacol document &#8211; Oameni \u0219i arme<\/em><\/strong><strong>, Liternet.ro, decembrie 2023<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">\u201eAm rememorat cu mult\u0103 emo\u021bie anumite aspecte din via\u021ba oamenilor din Cugir, din via\u021ba traiului lor. \u0218i tinerii actori au reu\u0219it s\u0103 se transpun\u0103, r\u00e2nd pe r\u00e2nd, \u00een oamenii societ\u0103\u021bii de ieri \u0219i de azi ai micului ora\u0219, ca simbol al unei societ\u0103\u021bi, prin c\u00e2ntec, prin dans, prin interpretare (m-a bucurat c\u0103 s-a \u00eencercat, reu\u0219it \u00eentr-o oarecare m\u0103sur\u0103, reproducerea modului cum se vorbe\u0219te acolo; e o vorbire ardeleneasc\u0103 aparte, accentul cade mai dur \u00een cuvinte, limba prelu\u00e2nd din asperitatea oamenilor).\u201d<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><a href=\"https:\/\/agenda.liternet.ro\/articol\/28299\/Cristina-Smadea\/Un-spectacol-document-Oameni-si-arme.html\">https:\/\/agenda.liternet.ro\/articol\/28299\/Cristina-Smadea\/Un-spectacol-document-Oameni-si-arme.html<\/a><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Andra Marinescu, <\/strong><strong><em>Oameni \u0219i arme, despre cea mai mare fabric\u0103 de armament din Rom\u00e2nia: \u201eOamenii din Cugir nu voiau s\u0103 discute despre acest subiect!\u201d<\/em><\/strong><strong>, Relatare de la Q&amp;A, <\/strong><strong><em>Sibiul Azi<\/em><\/strong><strong>, 11 noiembrie 2023<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">\u201e&lt;Eu sunt tot din Cugir. Am stat scurt timp, dar \u0219i bunicii mei au lucrat \u00een fabric\u0103 \u0219i mi-a\u021bi readus multe amintiri. \u0218i de la Revolu\u021bie auzisem. Chiar locul \u00een care st\u0103team e l\u00e2ng\u0103 fosta mili\u021bie. Eram curioas\u0103 despre procesul acesta de documentare, cum a\u021bi reac\u021bionat cu oamenii, cum au r\u0103spuns la aceste lucruri \u0219i dac\u0103 a\u021bi jucat acest spectacol la Cugir&gt;, a spus o doamn\u0103 din public.\u201d<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><a href=\"https:\/\/sibiulazi.ro\/2023\/11\/10\/video-oameni-si-arme-despre-cea-mai-mare-fabrica-de-armament-din-romania-oamenii-din-cugir-nu-voiau-sa-discute-despre-acest-subiect\/\">https:\/\/sibiulazi.ro\/2023\/11\/10\/video-oameni-si-arme-despre-cea-mai-mare-fabrica-de-armament-din-romania-oamenii-din-cugir-nu-voiau-sa-discute-despre-acest-subiect\/<\/a><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Klaus Philippi, <\/strong><strong><em>Europas l\u00e4ngster Zug f\u00fcr knallige Sarmale<\/em><\/strong><strong>, Allgemeine Deutsche Zeitung Online<\/strong><strong><em>, <\/em><\/strong><strong>29 noiembrie 2023<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><a href=\"https:\/\/adz.ro\/artikel\/artikel\/europas-laengster-zug-fuer-knallige-sarmale\">https:\/\/adz.ro\/artikel\/artikel\/europas-laengster-zug-fuer-knallige-sarmale<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>___________________________________________________________________________________ Premiera: 28 septembrie 2023, REACTOR de Crea\u021bie \u0219i Experiment, Cluj&nbsp; Cu: Alexandra Harapu, Maria Morar, Oana Rotaru, Doru Talo\u0219, Tavi Voina&nbsp; Scenografia: Mihai P\u0103curar&nbsp; Direc\u021bie coregrafic\u0103: Paula Dunker&nbsp; Muzica: &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/artapolitica.ro\/teatru\/oameni-si-arme\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Oameni \u0218I ARME&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":2159,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"class_list":["post-689","page","type-page","status-publish","has-post-thumbnail","hentry"],"uagb_featured_image_src":{"full":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/PB020507-1-scaled.jpg",2560,1707,false],"thumbnail":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/PB020507-1-150x150.jpg",150,150,true],"medium":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/PB020507-1-300x200.jpg",300,200,true],"medium_large":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/PB020507-1-768x512.jpg",760,507,true],"large":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/PB020507-1-1024x683.jpg",760,507,true],"1536x1536":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/PB020507-1-1536x1024.jpg",1536,1024,true],"2048x2048":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/PB020507-1-2048x1365.jpg",2048,1365,true],"ect-jetpack-portfolio-featured":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/PB020507-1-640x640.jpg",640,640,true],"ect-featured-content":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/PB020507-1-640x640.jpg",640,640,true],"ect-service":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/PB020507-1-640x640.jpg",640,640,true],"vp_sm":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/PB020507-1-500x333.jpg",500,333,true],"vp_md":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/PB020507-1-800x533.jpg",800,533,true],"vp_lg":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/PB020507-1-1280x853.jpg",1280,853,true],"vp_xl":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/PB020507-1-1920x1280.jpg",1920,1280,true],"vp_sm_popup":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/PB020507-1-500x333.jpg",500,333,true],"vp_md_popup":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/PB020507-1-800x533.jpg",800,533,true],"vp_xl_popup":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/PB020507-1-1920x1280.jpg",1920,1280,true],"block-featured-large":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/PB020507-1-2400x1800.jpg",2400,1800,true],"block-featured-medium":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/PB020507-1-1200x800.jpg",1200,800,true],"block-featured-small":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/PB020507-1-640x640.jpg",640,640,true],"block-featured-square":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/PB020507-1-1200x1200.jpg",1200,1200,true],"jetpack-portfolio-admin-thumb":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/PB020507-1-50x50.jpg",50,50,true],"featured-content-admin-thumb":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/PB020507-1-50x50.jpg",50,50,true],"service-admin-thumb":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/PB020507-1-50x50.jpg",50,50,true]},"uagb_author_info":{"display_name":false,"author_link":"https:\/\/artapolitica.ro\/teatru\/author\/admin\/"},"uagb_comment_info":0,"uagb_excerpt":"___________________________________________________________________________________ Premiera: 28 septembrie 2023, REACTOR de Crea\u021bie \u0219i Experiment, Cluj&nbsp; Cu: Alexandra Harapu, Maria Morar, Oana Rotaru, Doru Talo\u0219, Tavi Voina&nbsp; Scenografia: Mihai P\u0103curar&nbsp; Direc\u021bie coregrafic\u0103: Paula Dunker&nbsp; Muzica: &hellip; Continue reading \"Oameni \u0218I ARME\"","_links":{"self":[{"href":"https:\/\/artapolitica.ro\/teatru\/wp-json\/wp\/v2\/pages\/689","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artapolitica.ro\/teatru\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/artapolitica.ro\/teatru\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/artapolitica.ro\/teatru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artapolitica.ro\/teatru\/wp-json\/wp\/v2\/comments?post=689"}],"version-history":[{"count":6,"href":"https:\/\/artapolitica.ro\/teatru\/wp-json\/wp\/v2\/pages\/689\/revisions"}],"predecessor-version":[{"id":2478,"href":"https:\/\/artapolitica.ro\/teatru\/wp-json\/wp\/v2\/pages\/689\/revisions\/2478"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artapolitica.ro\/teatru\/wp-json\/wp\/v2\/media\/2159"}],"wp:attachment":[{"href":"https:\/\/artapolitica.ro\/teatru\/wp-json\/wp\/v2\/media?parent=689"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}