{"id":2232,"date":"2024-11-05T20:29:06","date_gmt":"2024-11-05T20:29:06","guid":{"rendered":"https:\/\/artapolitica.ro\/teatru\/?page_id=2232"},"modified":"2024-11-10T19:37:30","modified_gmt":"2024-11-10T19:37:30","slug":"brecht-trei-piese-antifasciste","status":"publish","type":"page","link":"https:\/\/artapolitica.ro\/teatru\/brecht-trei-piese-antifasciste\/","title":{"rendered":"trei PIESE ANTIFASCISTE"},"content":{"rendered":"\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-4fc3f8e1 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-4fc3f8e1 wp-block-group-is-layout-flex\">\n<p class=\"has-small-font-size wp-block-paragraph\">___________________________________________________________________________________<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>TREI PIESE ANTIFASCISTE<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Data apari\u021biei: decembrie 2022<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">De: Bertolt Brecht<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Selec\u021bie, introducere \u0219i cronologie: David Schwartz<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Traduceri \u0219i note: Vlad A. Arghir, Alice Monica Marinescu, Elise Wilk<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Redactare: Ioana Gruenwald<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Corectur\u0103: Virgil Leon \u0219i George State<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Tehnoredactare: Cristian Moisa<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Coordonare colec\u021bie: Virgil Pa\u0219ca \u0219i Veronica Laz\u0103r<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Copert\u0103\/ilustra\u021bie: C\u0103t\u0103lin Rulea<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Produc\u021bie: Editura TACT, Cluj-Napoca<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">___________________________________________________________________________________<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-4fc3f8e1 wp-block-group-is-layout-flex\">\n<p class=\"has-small-font-size wp-block-paragraph\">Principalul pilon pe care se sprijin\u0103 concep\u021bia teatral\u0103 brechtian\u0103 este teoria \u0219i practica efectului de \u00eenstr\u0103inare, \u00een slujba unui teatru non- sau antiaristotelic. Brecht propune un teatru care s\u0103 educe prin distrac\u021bie \u0219i distan\u021bare critic\u0103, nu s\u0103 purifice prin mil\u0103 \u0219i fric\u0103, cum impune catharsisul aristotelic. Spectacolul ar trebui s\u0103 provoace spectactorul s\u0103 g\u00e2ndeasc\u0103 \u0219i s\u0103 ac\u021bioneze, nu s\u0103 \u00eel cople\u0219easc\u0103 emo\u021bional. Or aceast\u0103 abordare este dezvoltat\u0103 de Brecht tocmai \u00een opozi\u021bie cu ceea ce percepea ca manipulare a emo\u021biilor \u0219i recurs la sentiment \u00een propaganda nazist\u0103. Discursul nazist st\u00e2rnea emo\u021bii primare, precum frica sau ura, prin strategii tipice teatrului burghez. Dup\u0103 venirea la putere a nazi\u0219tilor, Brecht va observa cu ironie amar\u0103 c\u0103 niciun regizor care apeleaz\u0103 la vechile mijloace de manipulare a emo\u021biilor nu poate rivaliza \u00een acest domeniu cu propagandi\u0219tii nazi\u0219ti.&nbsp;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Teatrului care provoac\u0103 emo\u021bii necontrolate \u0219i adoarme ra\u021biunea, Brecht aspir\u0103 s\u0103 \u00eei opun\u0103 un teatru \u0219tiin\u021bific, care s\u0103 deconspire mecanismele iluziei \u0219i s\u0103 invite la cunoa\u0219tere \u0219i la pl\u0103cere. Acest teatru, pe care-l nume\u0219te ini\u021bial epic, iar mai t\u00e2rziu dialectic, plaseaz\u0103 spectatorul \u00een rolul celui care judec\u0103, analizeaz\u0103, c\u00e2nt\u0103re\u0219te, se \u00eendoie\u0219te.&nbsp;Volumul <em>Trei piese antifasciste<\/em> cuprinde trei texte despre fascism, dintre care dou\u0103 sunt publicate prima dat\u0103 \u00een limba rom\u00e2n\u0103: <em>Capete rotunde \u0219i capete ascu\u021bite<\/em>; <em>Teroarea \u0219i mizeriile celui de-al treilea Reich<\/em>; <em>\u0160vejk<\/em>. Volumul face parte dintr-un program mai amplu, demarat de <em>Platforma de Teatru Politic<\/em> \u00eempreun\u0103 cu Editura TACT, care \u00ee\u0219i propune s\u0103 retraduc\u0103, analizeze \u0219i promoveze opera lui Brecht \u00een context local.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>___________________________________________________________________________________ TREI PIESE ANTIFASCISTE Data apari\u021biei: decembrie 2022 De: Bertolt Brecht Selec\u021bie, introducere \u0219i cronologie: David Schwartz Traduceri \u0219i note: Vlad A. Arghir, Alice Monica Marinescu, Elise Wilk Redactare: Ioana &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/artapolitica.ro\/teatru\/brecht-trei-piese-antifasciste\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;trei PIESE ANTIFASCISTE&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":2086,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"class_list":["post-2232","page","type-page","status-publish","has-post-thumbnail","hentry"],"uagb_featured_image_src":{"full":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/IMG_7559-scaled.jpg",2560,1707,false],"thumbnail":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/IMG_7559-150x150.jpg",150,150,true],"medium":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/IMG_7559-300x200.jpg",300,200,true],"medium_large":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/IMG_7559-768x512.jpg",760,507,true],"large":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/IMG_7559-1024x683.jpg",760,507,true],"1536x1536":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/IMG_7559-1536x1024.jpg",1536,1024,true],"2048x2048":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/IMG_7559-2048x1365.jpg",2048,1365,true],"ect-jetpack-portfolio-featured":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/IMG_7559-640x640.jpg",640,640,true],"ect-featured-content":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/IMG_7559-640x640.jpg",640,640,true],"ect-service":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/IMG_7559-640x640.jpg",640,640,true],"vp_sm":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/IMG_7559-500x333.jpg",500,333,true],"vp_md":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/IMG_7559-800x533.jpg",800,533,true],"vp_lg":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/IMG_7559-1280x853.jpg",1280,853,true],"vp_xl":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/IMG_7559-1920x1280.jpg",1920,1280,true],"vp_sm_popup":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/IMG_7559-500x333.jpg",500,333,true],"vp_md_popup":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/IMG_7559-800x533.jpg",800,533,true],"vp_xl_popup":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/IMG_7559-1920x1280.jpg",1920,1280,true],"block-featured-large":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/IMG_7559-2400x1800.jpg",2400,1800,true],"block-featured-medium":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/IMG_7559-1200x800.jpg",1200,800,true],"block-featured-small":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/IMG_7559-640x640.jpg",640,640,true],"block-featured-square":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/IMG_7559-1200x1200.jpg",1200,1200,true],"jetpack-portfolio-admin-thumb":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/IMG_7559-50x50.jpg",50,50,true],"featured-content-admin-thumb":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/IMG_7559-50x50.jpg",50,50,true],"service-admin-thumb":["https:\/\/artapolitica.ro\/teatru\/wp-content\/uploads\/2024\/11\/IMG_7559-50x50.jpg",50,50,true]},"uagb_author_info":{"display_name":false,"author_link":"https:\/\/artapolitica.ro\/teatru\/author\/admin\/"},"uagb_comment_info":0,"uagb_excerpt":"___________________________________________________________________________________ TREI PIESE ANTIFASCISTE Data apari\u021biei: decembrie 2022 De: Bertolt Brecht Selec\u021bie, introducere \u0219i cronologie: David Schwartz Traduceri \u0219i note: Vlad A. Arghir, Alice Monica Marinescu, Elise Wilk Redactare: Ioana &hellip; Continue reading \"trei PIESE ANTIFASCISTE\"","_links":{"self":[{"href":"https:\/\/artapolitica.ro\/teatru\/wp-json\/wp\/v2\/pages\/2232","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artapolitica.ro\/teatru\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/artapolitica.ro\/teatru\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/artapolitica.ro\/teatru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artapolitica.ro\/teatru\/wp-json\/wp\/v2\/comments?post=2232"}],"version-history":[{"count":4,"href":"https:\/\/artapolitica.ro\/teatru\/wp-json\/wp\/v2\/pages\/2232\/revisions"}],"predecessor-version":[{"id":2564,"href":"https:\/\/artapolitica.ro\/teatru\/wp-json\/wp\/v2\/pages\/2232\/revisions\/2564"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artapolitica.ro\/teatru\/wp-json\/wp\/v2\/media\/2086"}],"wp:attachment":[{"href":"https:\/\/artapolitica.ro\/teatru\/wp-json\/wp\/v2\/media?parent=2232"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}