{"id":4260,"date":"2017-03-08T14:15:02","date_gmt":"2017-03-08T14:15:02","guid":{"rendered":"http:\/\/artapolitica.ro\/?p=4260"},"modified":"2017-03-08T17:31:01","modified_gmt":"2017-03-08T17:31:01","slug":"povesti-si-povesti-despre-piesa-de-teatru-corp-strain","status":"publish","type":"post","link":"https:\/\/artapolitica.ro\/gazetapolitica\/2017\/03\/08\/povesti-si-povesti-despre-piesa-de-teatru-corp-strain\/","title":{"rendered":"Pove\u0219ti \u0219i pove\u0219ti. Despre piesa de teatru \u201eCorp str\u0103in\u201d"},"content":{"rendered":"

<\/p>\n

de VERONICA LAZ\u0102R<\/em><\/p>\n

Nu e u\u0219or de recuperat genul <\/span><\/span>pove\u0219tilor<\/i><\/span><\/span> \u00een plin\u0103 cultur\u0103 publicitar\u0103 a spusului de pove\u0219ti. Pove\u0219ti despre tine care s\u0103 deschid\u0103 un interviu de angajare, pove\u0219ti ornamentale din presa glossy-cultural\u0103, pove\u0219ti care fac coloana vertebral\u0103 a oric\u0103rui brand de succes, pove\u0219ti care disting, scot \u00een fa\u021b\u0103, individualizeaz\u0103. O investiga\u021bie care are mai pu\u021bin de-a face cu <\/span><\/span>cuteness-<\/i><\/span><\/span>ul<\/span><\/span> \u00eens\u0103, dar foarte mult cu emo\u021bia sunt \u00een schimb istoriile personale, istoriile de familie ale colectivului de autoare, autori \u0219i actri\u021be<\/span><\/span> cu care, \u0219i plec\u00e2nd de la care, e construit spectacolul <\/span><\/span>Corp str\u0103in<\/i><\/span><\/span> \u0219i care reinvestesc <\/span><\/span>pove\u0219tile<\/i><\/span><\/span> cu for\u021b\u0103 istoric\u0103 \u0219i politic\u0103. De data asta \u00eens\u0103, ele nu mai s<\/span><\/span>u<\/span><\/span>nt ceva de care copiii, ca \u0219i adul\u021bii, \u201eau nevoie\u201d pentru inspira\u021bie \u0219i \u00eenfrumuse\u021bare creativ\u0103 a vie\u021bii, ci mai degrab\u0103 un refulat, la care accesul se face greu \u0219i fragmentar, \u00een urma insisten\u021belor \u0219ocate ale unor copii crescu\u021bi mari, ori a document\u0103rii sistematice a genealogiilor familiilor trecute prin ni\u0219te traume majore generate de o istorie supraindividual\u0103, o serie de nara\u021biuni care produc tulburare, nu satisfac\u021bie \u0219i armonie. Dimensiunea social\u0103 \u0219i obiectiv\u0103 ia locul celei poetic-fic\u021bionale a pove\u0219tii <\/span><\/span>design<\/i><\/span><\/span>.<\/span><\/span><\/p>\n

\"corp\"<\/span><\/span><\/p>\n

Asemeni piesei puse \u00een scen\u0103 anul trecut de David Schwartz, <\/span><\/span>\u00centre grani\u021be<\/i><\/span><\/span>, \u0219i <\/span><\/span>Corp str\u0103in<\/i><\/span><\/span> e documentat\u0103 \u0219i scris\u0103 \u00eempreun\u0103 cu colectivul de actri\u021be \u0219i include o serie de experien\u021be ale rudelor lor. Ambele<\/span> piese <\/span><\/span>leag\u0103, prin intermediul pove\u0219tilor documentare, un argument politic contemporan referitor la represiunea sau presiunile ideologice care-i vizeaz\u0103 pe refugia\u021bii de r\u0103zboi \u0219i migran\u021bii economici care ajung ast\u0103zi \u00een Europa de Vest de ni\u0219te nara\u021biuni istorice despre marile trasee migratorii generate de catastrofe istorice. F\u0103r\u0103 interactivitatea din<\/span><\/span> <\/i>\u00ce<\/i><\/span><\/span>ntre grani\u021be<\/i><\/span><\/span>, pies\u0103 care interpela inconfortabil publicul oblig\u00e2ndu-l s\u0103 ia decizii politice pe loc, <\/span><\/span>Corp str\u0103in<\/i><\/span><\/span> introduce \u00eens\u0103 o serie de explica\u021bii politice pentru cea mai recent\u0103 criz\u0103 a refugia\u021bilor, generat\u0103 de r\u0103zboaiele ultimului deceniu. Ea mai experimenteaz\u0103 totodat\u0103 cu o alternan\u021b\u0103 de registre \u2013 \u00een special \u00eentre monologul-m\u0103rturie (cu Fatma Mohamed, Anka Levana, Iolanda Covaci), sobru, \u00een principiu, dar uneori cu tu\u0219e caracteriale chestionabile de tipul accentelor etnice – \u0219i scene de umor buf, care \u00eempreun\u0103 sparg eventuala monotonie a teatrului documentar.<\/span><\/span><\/p>\n

Scheciul cu parcul de distrac\u021bii armate din cadrul t\u00e2rgului interna\u021bional de armament organizat \u00eentr-un ora\u0219 ambi\u021bios din Estul Europei (ar putea fi, ca s\u0103 iau la \u00eent\u00e2mplare, acesta http:\/\/www.click.ro\/news\/national\/uite-dusterul-care-te-impusca<\/a>) \u0219i featuring Steven Seagal (jucat de Alice Monica Marinescu) e ultimul din seria de scene de comedie buf\u0103 ce alterneaz\u0103 cu m\u0103rturiile biografice redate \u00eentr-un registru sobru. Un grup de vizitatori surescita\u021bi exploreaz\u0103 posibilit\u0103\u021bile de distrac\u021bie oferite de echipamentului anti-tero, un premier hazliu face un spirit nu lipsit de inteligen\u021b\u0103 despre munca sa voluntar\u0103 ca agent de v\u00e2nz\u0103ri al companiilor de armament, un grup divers etnic de conduc\u0103tori altminteri \u00een r\u0103zboi unii cu al\u021bii \u00een timpul programului de lucru se felicit\u0103 unii pe al\u021bii pentru cump\u0103r\u0103turile f\u0103cute. Mai devreme, \u00een alt\u0103 scen\u0103 comic\u0103 (foarte comic\u0103), un <\/span><\/span>reenactment<\/i><\/span><\/span> al \u00eent\u00e2lnirii unui pre\u0219edinte Iohannis slugarnic (jucat de Alexandra Fasola) cu un David Cameron de un cinism dezinvolt (Katia Pascariu, formidabil\u0103), discut\u00e2nd \u00eempreun\u0103 despre modul \u00een care Rom\u00e2nia poate sus\u021bine interesele Marii Britanii (s\u0103 fie vorba de aceast\u0103 \u00eent\u00e2lnire http:\/\/www.mediafax.ro\/politic\/intalnirea-iohannis-cameron-premierul-britanic-sustinem-libera-circulatie-dar-trebuie-sa-rezolvam-presiunea-pe-care-o-pun-migrantii-seful-statului-locul-marii-britanii-este-clar-in-ue-foto-video-14914378<\/a>?), e suportul unor dramatiz\u0103ri alternative ale discursurilor lor. Iar \u00een primul scheci, cel mai didactic, dar \u0219i cel mai superficial, teologi catolici de la \u00eenceputurile modernit\u0103\u021bii \u0219i ale sclaviei negre pe baze rasiste se \u00eenfrunt\u0103 \u00een c\u00e2teva cuvinte pentru a g\u0103si cea mai bun\u0103 cale de-a<\/span><\/span>i<\/span><\/span> scoate pe urma\u0219ii lui Ham, feciorul lui Noe, \u00een afara umanit\u0103\u021bii (o tem\u0103 ce face de altfel obiectul principal al unei alte piese de teatru, pus\u0103 \u00een scen\u0103 de Radu Jude, ce \u0219i-a avut \u0219i ea premiera zilele trecute)\u00a0; iar preo\u021bi ortodoc\u0219i, pastori calvini, rabini \u0219i fanatici musulmani se reunesc pentru a ar\u0103ta c\u0103 extremismul intoleran\u021bei religioase e distribuit corect \u0219i echitabil \u0219i c\u0103 arghirofilia nu e niciodat\u0103 foarte dep\u0103rtat\u0103 de religiile institu\u021bionalizate. Peste toate, antisemitismul unui poet de secol XIX intr\u0103 \u00een coliziune cu islamofobia civiliza\u021bional\u0103 a unui intelectual francez de ast\u0103zi (Houellebecq\u00a0? Finkielkraut\u00a0? cine-i mai \u0219tie pe to\u021bi) \u0219i a unui istoric rasist de mare clas\u0103 din Estul Europei (te-am prins, Neagu Djuvara\u00a0! \u2013 de altfel, figura intelectualul<\/span><\/span>ui<\/span><\/span> estic, rasist dincolo de buna cuviin\u021b\u0103 a occidentalului, apare \u0219i \u00een excelentul spectacol <\/span><\/span>Artists Talk<\/i><\/span><\/span> al Gianinei C\u0103rbunariu). \u0218i de la una la alta, un liant muzical de klezmer ca un reflex ironic al pluralismului \u0219i dreptei distribuiri a <\/span><\/span>hate speech-<\/i><\/span><\/span>ului.<\/span><\/span><\/p>\n

Mul\u021bumit\u0103 unor asemenea momente de comentarii comice, dar cu o func\u021bie explicativ\u0103 evident\u0103, \u0219i care leag\u0103 didactic episoadele de m\u0103rturie direct\u0103, se deseneaz\u0103 o tez\u0103 a piesei, aceea c\u0103 exist\u0103 cineva care beneficiaz\u0103 de conflictele armate ce se \u00eenmul\u021besc f\u0103r\u0103 \u00eencetare \u00een Africa \u0219i Orientul Mijlociu, c\u0103 exist\u0103 un interes \u2013 \u0219i, putem \u00een\u021belege, chiar o cauz\u0103 direct\u0103, inten\u021bional\u0103, a \u00eentre\u021binerii r\u0103zboaielor -, explica\u021bie care pare s\u0103 sub<\/span><\/span>\u00ee<\/span><\/span>ntind\u0103 \u00eens\u0103 situa\u021bii istorico-biografice foarte variate. Dar astfel prezen\u021ba acestei cauze comune sugerate aici \u0219i a refrenului \u201ecine profit\u0103\u00a0?\u201d accentueaz\u0103 sentimentul de amalgamare a acestor circumstan\u021be istorico-biografice. <\/span><\/span>\u00ce<\/span><\/span>ntre supravie\u021buitorii Holocaustului \u0219i ai pogromului de la Ia\u0219i, migran\u021bii educa\u021bi proveni\u021bi din clasa de mijloc ce p\u0103r\u0103sesc Rom\u00e2nia comunist\u0103 pentru libertatea vestic\u0103 \u0219i refugia\u021bii sirieni (\u0219i ei educa\u021bi) alunga\u021bi de r\u0103zboi ast\u0103zi \u00een Rom\u00e2nia, exist\u0103, desigur, veriga comun\u0103 ce-i face pe to\u021bi ni\u0219te neferici\u021bi <\/span><\/span>str\u0103ini<\/i><\/span><\/span>, iar aceast\u0103 categorie-valiz\u0103 \u00ee\u0219i merit\u0103, \u00eentr-adev\u0103r, deconstruirea, mai ales dac\u0103 se las\u0103 folosit\u0103 ca un arsenal ideologic ostil. <\/span><\/span>\u00ce<\/span><\/span>ns\u0103 deconstruirea \u00eenseamn\u0103 \u0219i descompunerea \u00een factori \u00eendeajuns de specifici istoric, uneori \u201enormali\u201d, alteori catastrofali, dincolo de vreo cauz\u0103 politico-economic\u0103 unic\u0103 – \u0219i, ca atare, chestionabil\u0103 – a c\u00e2\u0219tigului material ob\u021binut din comer\u021bul cu arme sau din r\u0103zboi, \u00een general. <\/span><\/span><\/p>\n

Dar dificultatea cea mai mare e cea de care piesa nu se love\u0219te deloc, pentru c\u0103 o ocole\u0219te pur \u0219i simplu, a\u0219a cum – \u0219i tocmai pentru c\u0103 – discursul actual al st\u00e2ngii europene radicale o refuleaz\u0103 cu totul, \u0219i numai \u00een pierdere\u00a0: chestiunea problemelor sociale \u0219i economice pe care partidele de dreapta radical\u0103 nu se sfiesc s\u0103 le atribuie venirii migran\u021bilor economici \u0219i a refugia\u021bilor. C\u00e2t de mult poate afecta \u00een mod real migra\u021bia redistribuirea resurselor, nivelul salariilor muncitorilor europeni, rata \u0219omajului, rela\u021biile \u00eentre munc\u0103 \u0219i capital. Pe cine atinge ea, dac\u0103 chiar produce \u00een mod necesar consecin\u021be majore asupra societ\u0103\u021bilor europene. Partidele \u0219i discursurile de dreapta radical\u0103 se hr\u0103nesc \u0219i cresc din aceast\u0103 team\u0103 ce love\u0219te proletariatul european, pe care o alimenteaz\u0103 copios la r\u00e2ndul lor \u2013 ba exist\u0103 un sol care \u00eei e favorabil chiar \u0219i \u00een Rom\u00e2nia, vulnerabil\u0103, a\u0219a cum s-a v\u0103zut, la ideologia f\u0103r\u0103 referent local a \u201echestiunii refugia\u021bilor\u201d. Dar aceast\u0103 team\u0103 devine o realitate social\u0103 \u0219i politic\u0103 fie \u0219i doar ca team\u0103 ce reconfigureaz\u0103 c\u00e2mpul politic, dac\u0103 nu ca o dificultate social\u0103 \u0219i economic\u0103 real\u0103.<\/span><\/span><\/p>\n

<\/a> Ast\u0103zi, \u00een Europa, pozi\u021bionarea fa\u021b\u0103 de aceast\u0103 chestiune distinge \u00eentre partidele antisistem de dreapta, care se l\u0103f\u0103ie \u00een aceste dificult\u0103\u021bi infinit manipulabile, \u0219i cele de st\u00e2nga, care nu au resurse s\u0103 o trateze f\u0103\u021bi\u0219, care \u00eencearc\u0103 pe bun\u0103 dreptate s\u0103 disting\u0103 \u00eentre migra\u021bia economic\u0103 \u2013 mai ales foarte legitima circula\u021bie a for\u021bei de munc\u0103 intra-european\u0103 \u2013 \u0219i refugia\u021bii de r\u0103zboi, dar se alege, \u00een lipsa posibilelor solu\u021bii de-a gata \u00een acest sistem foarte capitalist, mai cur\u00e2nd cu un discurs umanist generos \u0219i cu multe paradoxuri politice fierbin\u021bi\u00a0; iar astfel nu-i e u\u0219or s\u0103 tran\u0219eze conving\u0103tor, \u00een termenii unui sistem configurat de capitalism \u0219i supracodat ideologic de dreapta, \u00eentre principiile de solidaritate interna\u021bionalist\u0103 \u0219i nevoie de protec\u021bionism economic. \u0218i, la final, se alege \u0219i cu nota de plat\u0103 ideologic\u0103.<\/span><\/span><\/p>\n

St\u00e2nga trateaz\u0103 cauze ale catastrofelor militare \u0219i economice, dreapta se mul\u021bume\u0219te s\u0103 invoce efecte reale sau nu \u0219i s\u0103 profite de consecin\u021be.<\/span><\/span><\/p>\n

E extrem de greu de discutat f\u0103r\u0103 simplific\u0103ri grave despre lucrurile astea, \u0219i o pies\u0103 de teatru oric\u00e2t de con\u0219tient\u0103 \u2013 sau cu at\u00e2t mai mult cu c\u00e2t e con\u0219tient\u0103 de ele \u2013 nu poate suplini lipsa investig\u0103rii \u00een categoriile st\u00e2ngii \u0219i cu mijloace deopotriv\u0103 economice \u0219i politice profesioniste a acestei chestiuni. Ea poate face totu\u0219i, a\u0219a cum o face <\/span><\/span>Corp strain<\/i><\/span><\/span>, o excelent\u0103 munc\u0103 de deconstruc\u021bie ideologic\u0103 \u0219i de repunere \u00een context istoric, militar sau biografic, a unor fenomene de migra\u021bie ce pot deveni, din cauza amneziei colective, manipulabile \u00een mod toxic.<\/span><\/span><\/p>\n

Cu\u00a0: <\/span><\/span>Iolanda Covaci<\/span><\/span><\/a>, <\/b><\/span><\/span>Alexandra Fasol\u0103<\/span><\/span><\/a>, <\/b><\/span><\/span>Anka Levana<\/span><\/span><\/a>, <\/b><\/span><\/span>Alice Monica Marinescu<\/span><\/span><\/a>, <\/b><\/span><\/span>Fatma Mohamed<\/span><\/span><\/a>, <\/b><\/span><\/span>Katia Pascariu<\/span><\/span><\/a><\/span><\/span><\/p>\n

Regia: David Schwartz<\/span><\/span><\/span><\/span><\/p>\n

Scenografia: Mi\u0219a Dumitr<\/span><\/span>iu <\/span><\/span><\/span><\/span><\/p>\n

Artist\u0103 asociat\u0103\u00a0: Ioana Florea<\/span><\/span><\/span><\/span><\/p>\n

Muzica:<\/span><\/span>\u00a0<\/b><\/span><\/span>Sorin Antonie, Juan Negretti, Mihai Prejban, Feras Sarmini<\/span><\/span><\/span><\/span><\/p>\n

\n

<\/p>","protected":false},"excerpt":{"rendered":"

de VERONICA LAZ\u0102R Nu e u\u0219or de recuperat genul pove\u0219tilor \u00een plin\u0103 cultur\u0103 publicitar\u0103 a spusului de pove\u0219ti. Pove\u0219ti despre tine care s\u0103 deschid\u0103 un interviu de angajare, pove\u0219ti ornamentale din presa glossy-cultural\u0103, pove\u0219ti care fac coloana vertebral\u0103 a oric\u0103rui brand de succes, pove\u0219ti care disting, scot \u00een fa\u021b\u0103, individualizeaz\u0103. O investiga\u021bie care are mai pu\u021bin de-a face cu cuteness-ul \u00eens\u0103, dar foarte mult cu emo\u021bia sunt \u00een schimb istoriile personale, istoriile de familie ale colectivului de autoare, autori \u0219i actri\u021be cu care, \u0219i plec\u00e2nd de la care, e construit spectacolul Corp str\u0103in \u0219i care reinvestesc pove\u0219tile cu for\u021b\u0103 istoric\u0103…<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[93],"tags":[176,272],"_links":{"self":[{"href":"https:\/\/artapolitica.ro\/gazetapolitica\/wp-json\/wp\/v2\/posts\/4260"}],"collection":[{"href":"https:\/\/artapolitica.ro\/gazetapolitica\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artapolitica.ro\/gazetapolitica\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artapolitica.ro\/gazetapolitica\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/artapolitica.ro\/gazetapolitica\/wp-json\/wp\/v2\/comments?post=4260"}],"version-history":[{"count":3,"href":"https:\/\/artapolitica.ro\/gazetapolitica\/wp-json\/wp\/v2\/posts\/4260\/revisions"}],"predecessor-version":[{"id":4264,"href":"https:\/\/artapolitica.ro\/gazetapolitica\/wp-json\/wp\/v2\/posts\/4260\/revisions\/4264"}],"wp:attachment":[{"href":"https:\/\/artapolitica.ro\/gazetapolitica\/wp-json\/wp\/v2\/media?parent=4260"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artapolitica.ro\/gazetapolitica\/wp-json\/wp\/v2\/categories?post=4260"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artapolitica.ro\/gazetapolitica\/wp-json\/wp\/v2\/tags?post=4260"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}