{"version":"1.0","provider_name":"Arta politica","provider_url":"https:\/\/artapolitica.ro\/gazetapolitica","author_name":"Gazeta de Art\u0103 Politic\u0103","author_url":"https:\/\/artapolitica.ro\/gazetapolitica\/author\/gazeta-de-arta-politica\/","title":"Cronic\u0103 \u2013 Elle, regia Paul Verhoeven - Arta politica","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"EVZrIRC0PI\"><a href=\"https:\/\/artapolitica.ro\/gazetapolitica\/2016\/11\/11\/cronica-elle-regia-paul-verhoeven\/\">Cronic\u0103 \u2013 Elle, regia Paul Verhoeven<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/artapolitica.ro\/gazetapolitica\/2016\/11\/11\/cronica-elle-regia-paul-verhoeven\/embed\/#?secret=EVZrIRC0PI\" width=\"600\" height=\"338\" title=\"&#8222;Cronic\u0103 \u2013 Elle, regia Paul Verhoeven&#8221; &#8211; Arta politica\" data-secret=\"EVZrIRC0PI\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","description":"\u00a0de Andrei Luca Bazat pe una din c\u0103r\u021bile lui Philippe Djian, ultimul film al lui Paul Verhoeven ia manualul de feminism \u0219i rescrie fix pe dos capitolul despre gestionarea unui abuz sexual. Inten\u021bionat ini\u021bial ca o produc\u021bie american\u0103, Elle nu a reu\u0219it s\u0103-\u0219i g\u0103seasc\u0103 colaboratori la Hollywood, scenariul fiind refuzat de toate poten\u021bialele actri\u021be care ar fi putut s\u0103 interpreteze personajul principal, \u0219i anume pe Mich\u00e8le Leblanc, o antreprenoare de succes \u00een domeniul jocurilor video, cu un trecut familial controversat. \u00cen timp ce Hollywoodul a respins scenariul de teama unei nara\u021biuni care nu se conformeaz\u0103 normei de reprezentare a asaltului&hellip;","thumbnail_url":"http:\/\/artapolitica.ro\/wp-content\/uploads\/2016\/09\/logo-GAP-facebook.png"}