{"id":843,"date":"2013-07-02T19:33:57","date_gmt":"2013-07-02T19:33:57","guid":{"rendered":"http:\/\/artapolitica.ro\/?p=843"},"modified":"2016-09-26T13:00:11","modified_gmt":"2016-09-26T13:00:11","slug":"e-important-sa-fie-respect-in-relatiile-de-munca","status":"publish","type":"post","link":"https:\/\/artapolitica.ro\/gazetapolitica\/en\/2013\/07\/02\/e-important-sa-fie-respect-in-relatiile-de-munca\/","title":{"rendered":"\u201cIt\u2019s important to show respect in work relations.\u201d (summary)"},"content":{"rendered":"<p><b><i>Interview with Zoe Costache<\/i><\/b><\/p>\n<p><i>Everyone in the theater calls her Zoe or Misses Zoe. She\u2019s 53 and wants to retire from <\/i>Teatrul Foarte Mic<i> (The Very Small Theatre). She worked at the wardrobe, at dressing room maintenance, and now she\u2019s a technical director and handles dressing room maintenance as well. She\u2019s very high-spirited and very observant. She\u2019s fond of every performance and she\u2019s very devoted to her job.<\/i><\/p>\n<p><b><i>When did you start working for Teatrul Foarte Mic?<\/i><\/b><\/p>\n<p>I was transferred here from Teatrul Masca. I had been working there for two years. The actors cried when I left. I came here at the end of 1998. I was pregnant. They assigned me straight to the dressing rooms, but there weren\u2019t as many performances back then. There were only two or three. Teatrul Mundi were staging their plays here, they\u2019d rented the hall. After I gave birth, someone else was given my job and when I returned after two years, I was assigned to the delivery service. I spent six months there and then they sent me to the wardrobe. My colleague, Petronela, fell down the stairs, at dressing room 2. She was in a hurry, she had work to do both upstairs and downstairs at the dressing rooms. Then Mr. Mandiuc, the one in charge of all administrative issues, called me and said: \u201cZoe, get dressed now and come to the dressing rooms.\u201d It happened during the staging of <b>Paparazzi<\/b>. And I spent 11 years at the dressing rooms.<\/p>\n<p><b><i>Why did you leave Masca to go to Foarte Mic?<\/i><\/b><\/p>\n<p>My husband was working at Masca, too &#8211; as a technical director &#8211; and he was transferred to Foarte Mic. And he took me with him. What could he have done, leave me there?<\/p>\n<p><b><i>What\u2019s your work schedule? What exactly do you do?<\/i><\/b><\/p>\n<p>I do the washing, the ironing, I take care of all the changes done backstage and in the dressing rooms. If an actor has any modifications to make for a certain scene, I have to be prepared. I really enjoy working with actors, it\u2019s a nice atmosphere.<\/p>\n<p><b><i>Could you take me through one of your workdays? A show day, perhaps.<\/i><\/b><\/p>\n<p>I come in at around 14.30-15.00, because I have to do the ironing and get the costumes ready. Then I make coffee. By the time the actors arrive, I have everything ready. The performance starts at 19.00 and I have to let the public in \u2013 I\u2019m also the technical director now \u2013 and I make sure everything\u2019s running smoothly during the performance. Because I\u2019m also a technical director now, I have to take part in the rehearsals, as well [\u2026].<\/p>\n<p><b><i>Where did you work before coming to work in the theater?<\/i><\/b><\/p>\n<p>I completed ten school years. Well, actually, when I finished eighth grade, I registered with an agricultural school. I didn\u2019t like it there, I said to myself \u201cwhat am I gonna do, go in the fields on a tractor?\u201d My brother came to take me away and I came back to the village to go through ninth and tenth grade. [\u2026]<\/p>\n<p><b><i>What did you do after school?<\/i><\/b><\/p>\n<p>I did nine months of sewing at APACA. I didn\u2019t like it. I mean, I\u2019m good at it, but it wasn\u2019t what I wanted to do. After sewing, I worked at Danubiana<a title=\"\" href=\"file:\/\/\/D:\/Marus\/Interviu%20Zoe%20Costache%20english.docx#_ftn1\">[1]<\/a> handling the supply and demand of raw materials, and from there I left for Teatrul Masca and then for Teatrul Mic. I have about 27 years work experience and I\u2019d like to retire here, in the theater.<\/p>\n<p><b><i>Did you make good money at APACA?<\/i><\/b><\/p>\n<p>At APACA I worked on the button seams and at the end of the supply line, meaning I checked if the fly and the pockets matched. I don\u2019t remember exactly how much I was making, but it was enough. I left Danubiana with 800 lei. It was a lot at the time. And we had food stamps, cold food, we had a lot of benefits. But it didn\u2019t last long.<\/p>\n<p><b><i>Is the money enough now?<\/i><\/b><\/p>\n<p>It\u2019s not. I have to pay the bank and there\u2019s so much stuff to do. My husband works as a taxi driver and it\u2019s not going well, our little girl is in school and she needs things, too. We save, but\u2026 what can you do? There\u2019s little money working in the theater. The actors earn little, as well.<\/p>\n<p><b><i>Are you happy with the working conditions in the theater?<\/i><\/b><\/p>\n<p>I\u2019m happy because I love what I do and I\u2019ve grown fond of the people. The money is what it is \u2013 now it\u2019s ok because I get paid for both the dressing room work and the work as technical director. All theater employees are underpaid. We\u2019re lucky whenever there\u2019s a festival and we get some extra money for the performances outside the usual theater program. I think people should fight for their wages, for the rights they have after working so many years.<\/p>\n<p><b><i>Is there solidarity between theater workers? Do you think things would change if there was a strong union?<\/i><\/b><\/p>\n<p>I think so, but we should all stick together. Now they all have their own personal issues, their own needs. I\u2019m in the theater union. Some withdrew and now they regret it. But there are some benefits.<\/p>\n<p><b><i>Like what?<\/i><\/b><\/p>\n<p>At Easter or Christmas we get a 100 lei voucher. And it comes in handy. [\u2026]<\/p>\n<p><b><i>What fond memories do you have of your day-to-day work?<\/i><\/b><\/p>\n<p>Well, when I was hired, after a screening, we would all go to a restaurant \u2013 the machinists, the people from electrics, the sound technicians. And it was so nice! Everyone would come along, no distinctions would be made. Now we don\u2019t go as often. We went after <b>O via\u021b\u0103 \u00een teatru <\/b>(A Life in the Theater) and it was very nice. We stayed until 1 a.m. It\u2019s like you leave happier, more at peace with yourself. There were also sad moments, like when actors passed away. I felt very sorry when Mrs. Albu died &#8211; Mr. Veroiu\u2019s wife. She would tell me off for smoking when I was pregnant and she\u2019d bring me sweets and fruit. After her, it was Mrs. Gilda Teodorescu. We shared a room on tour. Relationships change and you feel there are people who have a lt of respect for you even though they have something above you. They don\u2019t differentiate. It\u2019s important to have respect in work relations. People should be people regardless of their status.<\/p>\n<div><em>Interview by Mihaela Michailov<\/em>.<\/div>\n<div><\/div>\n<div>\n<hr align=\"left\" size=\"1\" width=\"33%\" \/>\n<div>\n<p><a title=\"\" href=\"file:\/\/\/D:\/Marus\/Interviu%20Zoe%20Costache%20english.docx#_ftnref1\">[1]<\/a> A manufacturer of tires and rubber materials.<\/p>\n<\/div>\n<\/div>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Interview with Zoe Costache Everyone in the theater calls her Zoe or Misses Zoe. She\u2019s 53 and wants to retire from Teatrul Foarte Mic (The Very Small Theatre). She worked at the wardrobe, at dressing room maintenance, and now she\u2019s a technical director and handles dressing room maintenance as well. She\u2019s very high-spirited and very observant. She\u2019s fond of every performance and she\u2019s very devoted to her job. When did you start working for Teatrul Foarte Mic? I was transferred here from Teatrul Masca. I had been working there for two years. The actors cried when I left. I came&hellip;<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[92],"tags":[],"_links":{"self":[{"href":"https:\/\/artapolitica.ro\/gazetapolitica\/en\/wp-json\/wp\/v2\/posts\/843"}],"collection":[{"href":"https:\/\/artapolitica.ro\/gazetapolitica\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artapolitica.ro\/gazetapolitica\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artapolitica.ro\/gazetapolitica\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/artapolitica.ro\/gazetapolitica\/en\/wp-json\/wp\/v2\/comments?post=843"}],"version-history":[{"count":1,"href":"https:\/\/artapolitica.ro\/gazetapolitica\/en\/wp-json\/wp\/v2\/posts\/843\/revisions"}],"predecessor-version":[{"id":3457,"href":"https:\/\/artapolitica.ro\/gazetapolitica\/en\/wp-json\/wp\/v2\/posts\/843\/revisions\/3457"}],"wp:attachment":[{"href":"https:\/\/artapolitica.ro\/gazetapolitica\/en\/wp-json\/wp\/v2\/media?parent=843"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artapolitica.ro\/gazetapolitica\/en\/wp-json\/wp\/v2\/categories?post=843"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artapolitica.ro\/gazetapolitica\/en\/wp-json\/wp\/v2\/tags?post=843"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}