{"id":3242,"date":"2014-09-18T11:53:51","date_gmt":"2014-09-18T11:53:51","guid":{"rendered":"http:\/\/artapolitica.ro\/?p=3242"},"modified":"2016-09-27T15:55:55","modified_gmt":"2016-09-27T15:55:55","slug":"teatrul-istoriilor-recente-2","status":"publish","type":"post","link":"https:\/\/artapolitica.ro\/gazetapolitica\/en\/2014\/09\/18\/teatrul-istoriilor-recente-2\/","title":{"rendered":"Recent History Theatre"},"content":{"rendered":"

*Tema GAP7<\/strong><\/em><\/p>\n

Ce tip de istorii recente abordeaz\u0103 teatrul document\u0103rii realit\u0103\u021bilor adesea expulzate din teritoriul \u201eadev\u0103rului istoric\u201d unic? Cum abordeaz\u0103 \u0219i cum interpreteaz\u0103 discursul teatral diferite contexte istorice, accesibile prin intermediul documentelor scrise, arhivelor sau al istoriilor orale? Cum sunt teatralizate istoriile recente inconfortabile, nefiltrate unilateral, problematizante din punct de vedere politic, \u0219i care sunt perspectivele performative prin care sunt expuse? \u00cen ce m\u0103sur\u0103 demersuri artistice de chestionare a istoriilor recente ajung s\u0103 legitimeze strategii politice mainstream, \u00eent\u0103rind astfel nara\u021biunea dominant\u0103?<\/p>\n

Tema num\u0103rului 7 din Gazeta de Art\u0103 Politic\u0103<\/b> \u2013 Teatrul istoriilor recente<\/b> \u2013 are \u00een centru o serie de evenimente controversate, ignorate, contestate, abordate dintr-o perspectiv\u0103 manifest socio-politic\u0103, \u00een spectacole relevante pentru discursul teatral documentar din ultimii ani.<\/p>\n

Istoria factual\u0103, alimentat\u0103 de principiul wie es eigentlich gewesen<\/i> (\u201ea\u0219a cum a fost\u201d), care \u00eencearc\u0103 s\u0103 instituie un \u201eadev\u0103r istoric\u201d pozitivist, reprezint\u0103 modelul istoriografic dominant al perioadei postsocialiste din Rom\u00e2nia \u0219i Republica Moldova. \u00cen ultimii 7-8 ani, demersurile artistice de chestionare a locurilor comune din istoria recent\u0103 a Rom\u00e2niei \u0219i Republicii Moldova au \u00eenceput, treptat, s\u0103 creeze o minim\u0103 dezbatere \u00een jurul canonului istoriografic, unul dintre principalii contributori la ideologia tranzi\u021biei. Prin elementele performative, un proiect artistic care prezint\u0103 \u0219i reprezint\u0103 un eveniment din trecutul recent (de la Al Doilea R\u0103zboi Monial p\u00e2n\u0103 \u00een prezent), exclus din istoriografie sau din manualele \u0219colare, poate releva multitudinea de sensuri care i-au fost conferite acelui eveniment de c\u0103tre diver\u0219i actori sociali. De asemenea, un astfel de proiect poate transmite perspectiva unor categorii marginalizate asupra vie\u021bii din timpul unei anumite perioade istorice, deschiz\u00e2nd astfel posibilitatea problematiz\u0103rii selec\u021biei elementelor considerate relevante pentru istoriografie \u0219i a chestion\u0103rii nara\u021biunii dominante.<\/p>\n

Num\u0103rul 7<\/b> din Gazeta de Art\u0103 Politic\u0103<\/b> \u2013 axat \u00een varianta print pe spectacole de teatru din Rom\u00e2nia \u0219i Republica Moldova \u2013 propune o serie de reflec\u021bii pe marginea spectacolelor incluse \u00een Stagiunea Teatrului Istoriilor Recente <\/b>care contribuie la l\u0103rgirea dezbaterii pe marginea fenomenelor abordate performativ: migra\u021bia for\u021bei de munc\u0103 \u00een Europa, moduri de a tr\u0103i gay \u00eenainte de 1989, via\u021ba \u00een comunit\u0103\u021bile muncitore\u0219ti dup\u0103 1990, m\u0103rturii despre Holocaustul din Basarabia \u0219i Transnistria sau perspective ale oamenilor obi\u0219nui\u021bi despre evenimente traumatice din istoria Rom\u00e2niei \u0219i Moldovei post-1990.<\/p>\n

\"Alexandra<\/a>

Alexandra Horghidan, Monica Marinescu. Broken History, 2014.<\/p><\/div>\n

What kind of recent history is tackled by a theatre which documents realities often banished from the realm of the singular \u201chistorical truth\u201d? How are different historical contexts, accessible through written documents, archives and oral histories, approached and interpreted by theatre discourse? How are uncomfortable and politically problematic recent histories made into theatre and what are the performative lenses through which they are filtered? To what extent do artistic acts which question recent history end up legitimizing mainstream political strategies, thus enforcing the dominant narrative?<\/p>\n

The theme of issue #7 of the Gazeta <\/b>de Art\u0103 Politic\u0103 \u2013 <\/b>Recent History Theatre – <\/b>focuses on a series of controversial, contested and ignored events, tackled from an engaged socio-political outlook in performances which have shaped documentary theatre discourse in Romania and Moldova in recent years.<\/p>\n

Factual history, fueled by the wie es eigentlich gewesen<\/i> (\u201chow it actually was\u201d) principle, which attempts to impose a positivist \u201chistorical truth\u201d, represents the dominant historiographical model of the post-socialist period in Romania and Moldova. In the last 7-8 years, the artistic attempts to question the commonly-held views over the recent history of Romania and Moldova have gradually begun to initiate a debate on the historiographical canon, which is one of the main suppliers of the ideology of the transition period. By means of performative elements, an artistic project which presents and represents an event from the recent past (from World War 2 to the present day), excluded form historiography or from history textbooks, can reveal the multitude of meanings which have been attributed to that event by various social actors. At the same time, such a project can reveal the perspective of certain marginalized groups on everyday life during a certain historical period, thus paving the way for debating the selection of historical elements regarded as relevant for historiography and questioning the dominant narrative.<\/p>\n

Issue #7<\/b> of the Gazeta de Art\u0103 Politic\u0103 <\/b>\u2013 focusing, in its print version, on theatre performances from Romania and Moldova \u2013 offers several reflections on the performances included in the\u00a0Recent History Theatre\u00a0<\/strong>season which contribute to widening the debate on the phenomena approached in performative ways: labor migration in Europe, gay lifestyles prior to 1989, life in working-class communities after 1989, testimonies on the Holocaust in Bessarabia and Pridnestrovie or the perspectives of ordinary people on traumatic events in Romanian and Moldovan history after 1990.<\/p>\n","protected":false},"excerpt":{"rendered":"

*Tema GAP7 Ce tip de istorii recente abordeaz\u0103 teatrul document\u0103rii realit\u0103\u021bilor adesea expulzate din teritoriul \u201eadev\u0103rului istoric\u201d unic? Cum abordeaz\u0103 \u0219i cum interpreteaz\u0103 discursul teatral diferite contexte istorice, accesibile prin intermediul documentelor scrise, arhivelor sau al istoriilor orale? Cum sunt teatralizate istoriile recente inconfortabile, nefiltrate unilateral, problematizante din punct de vedere politic, \u0219i care sunt perspectivele performative prin care sunt expuse? \u00cen ce m\u0103sur\u0103 demersuri artistice de chestionare a istoriilor recente ajung s\u0103 legitimeze strategii politice mainstream, \u00eent\u0103rind astfel nara\u021biunea dominant\u0103? Tema num\u0103rului 7 din Gazeta de Art\u0103 Politic\u0103 \u2013 Teatrul istoriilor recente \u2013 are \u00een centru o serie de…<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[80],"tags":[],"_links":{"self":[{"href":"https:\/\/artapolitica.ro\/gazetapolitica\/en\/wp-json\/wp\/v2\/posts\/3242"}],"collection":[{"href":"https:\/\/artapolitica.ro\/gazetapolitica\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artapolitica.ro\/gazetapolitica\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artapolitica.ro\/gazetapolitica\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/artapolitica.ro\/gazetapolitica\/en\/wp-json\/wp\/v2\/comments?post=3242"}],"version-history":[{"count":2,"href":"https:\/\/artapolitica.ro\/gazetapolitica\/en\/wp-json\/wp\/v2\/posts\/3242\/revisions"}],"predecessor-version":[{"id":3414,"href":"https:\/\/artapolitica.ro\/gazetapolitica\/en\/wp-json\/wp\/v2\/posts\/3242\/revisions\/3414"}],"wp:attachment":[{"href":"https:\/\/artapolitica.ro\/gazetapolitica\/en\/wp-json\/wp\/v2\/media?parent=3242"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artapolitica.ro\/gazetapolitica\/en\/wp-json\/wp\/v2\/categories?post=3242"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artapolitica.ro\/gazetapolitica\/en\/wp-json\/wp\/v2\/tags?post=3242"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}