{"version":"1.0","provider_name":"Arta politica","provider_url":"https:\/\/artapolitica.ro\/gazetapolitica\/en","author_name":"Gazeta de Art\u0103 Politic\u0103","author_url":"https:\/\/artapolitica.ro\/gazetapolitica\/en\/author\/gazeta-de-arta-politica\/","title":"The Disruptive Viewer\u2019s Theater - Arta politica","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"s5RL1Gam8i\"><a href=\"https:\/\/artapolitica.ro\/gazetapolitica\/en\/2014\/01\/06\/teatrul-spectatorului-indecent\/\">The Disruptive Viewer\u2019s Theater<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/artapolitica.ro\/gazetapolitica\/en\/2014\/01\/06\/teatrul-spectatorului-indecent\/embed\/#?secret=s5RL1Gam8i\" width=\"600\" height=\"338\" title=\"&#8220;The Disruptive Viewer\u2019s Theater&#8221; &#8212; Arta politica\" data-secret=\"s5RL1Gam8i\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","description":"by Mihaela Michailov I keep hearing comments such as \u201cwe need educated viewers who understand our art\u201d and two questions spring into my mind: educated for what, exactly? And what kind of art? If we need viewers who are tamed and educated to gobble up heaps of exclusivist art which might give them the feeling of belonging to the category of \u201cvalues inaccessible to the inane multitude\u201d, then education misses its main critical stake and becomes a sort of high-class training. Thanks, but no thanks. The radical change which theater brings to marginal groups and communities pertains to the reformation&hellip;","thumbnail_url":"https:\/\/artapolitica.ro\/gazetapolitica\/wp-content\/uploads\/2014\/01\/a-2-300x215.jpg"}