{"version":"1.0","provider_name":"Arta politica","provider_url":"https:\/\/artapolitica.ro\/gazetapolitica\/en","author_name":"Gazeta de Art\u0103 Politic\u0103","author_url":"https:\/\/artapolitica.ro\/gazetapolitica\/en\/author\/gazeta-de-arta-politica\/","title":"Reclaiming the Folk \u2013 a Reflective Essay - Arta politica","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"9ZZ9i9UUyT\"><a href=\"https:\/\/artapolitica.ro\/gazetapolitica\/en\/2013\/11\/07\/recastigarea-poporului-un-eseu-reflexiv\/\">Reclaiming the Folk \u2013 a Reflective Essay<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/artapolitica.ro\/gazetapolitica\/en\/2013\/11\/07\/recastigarea-poporului-un-eseu-reflexiv\/embed\/#?secret=9ZZ9i9UUyT\" width=\"600\" height=\"338\" title=\"&#8220;Reclaiming the Folk \u2013 a Reflective Essay&#8221; &#8212; Arta politica\" data-secret=\"9ZZ9i9UUyT\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","description":"by Shaili Sathyu &#8211;\u00a0Artistic Director, Gillo Theatre Repertory, Mumbai, India Yes, the title of this essay may sound a bit preposterous! But before I continue, I would like to say that this project is more for the individual growth of each artist involved in the production, rather than some larger service to society or reference to the politics of the arts. Background For a few years now I have been thinking about what it means to be an \u2018urban\u2019 theatre practitioner. One is bombarded with accusations from within and without, regarding one\u2019s identity, background, aesthetic core, training and traditions. Stuck&hellip;","thumbnail_url":"https:\/\/artapolitica.ro\/gazetapolitica\/wp-content\/uploads\/2013\/11\/actori-invatand-versuri-nautanki-300x200.jpg"}